Guidelines

What were the famous films made during the silent film era?

What were the famous films made during the silent film era?

Top grossing silent films

  • The Birth of a Nation (1915) – $10,000,000.
  • The Big Parade (1925) – $6,400,000.
  • Ben-Hur (1925) – $5,500,000.
  • Way Down East (1920) – $5,000,000.
  • The Gold Rush (1925) – $4,250,000.
  • The Four Horsemen of the Apocalypse (film) (1921) – $4,000,000.
  • The Circus (1928) – $3,800,000.

What was added to film to mark the end of the silent era?

In 1927, the “silent movie era” ended with the production of The Jazz Singer, a ‘talkie’ movie.

What is considered the most influential silent film ever made?

The Birth of a Nation (1915) One of the most successful early epic films made in the US, often cited as the greatest silent film of all time.

READ ALSO:   How long should I jog daily?

Why silent films are better?

You can see that 90\% better in silents than talkies. Like theatre work, the silent films relied on the actors being able to express emotions through their facial expressions, gestures and over all body language. Their plots had to be well written and visually explained from scene to scene.

When were silent films really popular?

The art of motion pictures grew into full maturity in the “silent era” (1894 in film – 1929 in film). The height of the silent era (from the early 1910s in film to the late 1920s) was a particularly fruitful period, full of artistic innovation.

What American film is considered the first film to tell a story?

Early motion pictures One of the first commercial film successes was the American movie The Great Train Robbery in 1903. It was just over 10 minutes long, a typical length for the time, but it was the first film with a cohesive narrative.

READ ALSO:   What happens if order of filter is increased?

What was the biggest change in Hollywood films in the 1920s?

The 1920s saw a vast expansion of Hollywood film making and worldwide film attendance. Throughout the decade, film production increasingly focused on the feature film rather than the “short” or “two-reeler.” This is a change that had begun with works like the long D. W.