What music did Beethoven like?

Like other composers of his generation, Beethoven was subject to the influence of popular music and of folk music, influences particularly strong in the Waldstein ballet music of 1790 and in several of his early songs and unison choruses.

Who influenced Beethoven the most?

Ludwig van Beethoven (1770-1827) Haydn in particular became a fundamental influence and figure in Beethoven’s early career, with Beethoven playing over 50 Haydn Symphonies with the Esterhazy Court Orchestra as a violist, and leaving Bonn to go study with the master himself as a pupil.

Who did Beethoven look up to?

From his earliest days as a prodigy in Bonn, Ludwig van Beethoven’s great ambition had been to travel to Vienna to meet – and take lessons with – the man he knew was the greatest living composer, Wolfgang Amadeus Mozart.

Why Was Beethoven a great composer?

Recognised as one of the greatest and most influential composers of the Western classical tradition, he defied the onset of deafness from the age of 28 to produce an output that encompasses 722 works, including 9 symphonies, 35 piano sonatas and 16 string quartets.

Who were some of the other musicians and composers that influenced Beethoven’s work?

Key people in Beethoven’s music and life

• Wolfgang Mozart (1756-91)
• Joseph Haydn (1732-1809)
• Prince Lobkowitz (1772-1816)
• Prince Karl Lichnowsky (1756-1814)
• Maximilian Franz (1756 – 1801)
• Domenico Dragonetti (1763 – 1846)
• George Bridgetower (1779 – 1860)
• Rudolphe Kreutzer (1766-1831)

Which composers did Beethoven influence?

10 composers who were inspired by Beethoven

• Robert Schumann (1810-56)
• Richard Wagner (1813-83)
• Ethel Smyth (1858-1944)
• Michael Tippett (1905-98)
• Thea Musgrave (b. 1928)
• John Adams (b. 1947)

Who is the greatest composer?

Ludwig van Beethoven (1770–1827) The German composer and pianist Ludwig van Beethoven is widely regarded as the greatest composer who ever lived.

How did Beethoven’s music influence other composers?

Beethoven’s influence on other composers. Mahler, Brahms, Schoenberg, changing the symphony forever and redefining string quartets.

Was Beethoven poor or rich?

Beethoven, unlike Mozart, was spared the indignity of dying in poverty. His last symphony, the Ninth, consolidated an already robust reputation and he was never short of commissions. A lesser composer might have taken advantage and flown on automatic pilot. But Beethoven never lost sight of his muse.

Do we have our own Beethoven?

Everybody, perhaps, invents his or her own Beethoven; indeed mythology surrounding him has become so engrained within the collective consciousness, there’s a danger the music becomes perceived only as the soundtrack to an imagined life.

Did Beethoven recast Brahms’s music in his own image?

Mahler, who came to artistic maturity shortly after Brahms’s death, pressed that question even harder. Arnold Schoenberg posed the same question so pointedly that musical syntax as it had been understood for centuries snapped. It was Beethoven who created the idea of composers not just adding to tradition but recasting it in their own image.