Did Led Zeppelin sue Chicago?

But for some reason, Jimmy Page and Robert Plant had never sued Chicago for stealing one of their greatest riffs. The short answer is an old rock & roll truism, which a jury in Los Angeles this week upheld when it rejected an infringement claim against Zep’s “Stairway to Heaven”: You can’t copyright a riff.

Why do guitar shops have forbidden riffs?

The reason is that the guitar store staff literally hear them every day and, in most cases, they just are not played that well. Any really good guitar player will play something fresh when shopping for a guitar, and knows better than to play anything on the forbidden list.

What song does 25 or 6 to 4 sound like?

Chicago: 25 or 6 to 4 sounds like Led Zeppelin: Babe I’m Gonna Leave You | Sounds Just Like. Chicago released “25 or 6 to 4” in 1970. One year earlier, Led Zeppelin released “Babe I’m Gonna Leave You”.

Why did Willie Dixon sue Led Zeppelin?

In 1987, Dixon reached an out-of-court settlement with the rock band Led Zeppelin after suing for plagiarism in the band’s use of his music in “Bring It On Home” and lyrics from his composition “You Need Love” (1962) in the band’s recording of “Whole Lotta Love”.

Why you shouldn’t play Stairway to Heaven in a guitar store?

The main reason why Stairway to Heaven is ‘banned’ in many guitar stores is because of a movie released years ago. The reality is that the song isn’t forbidden to play, it’s just very overplayed by people trying out guitars. You’re not going to get kicked out of any guitar stores if you begin playing this iconic song.

Who was the lead singer on 25 or 6 to 4?

Chicago
25 or 6 to 4/Artists

Did Zeppelin record 25 or 6 to 4 earlier than Chicago?

Chicago’s “25 or 6 to 4” was recorded Aug 1969 and released June 1970. Zeppelin’s “Babe I’m Gonna Leave You” was recorded Oct 1968 and released in January 1969. So Zeppelin not only recorded BIGTLY earlier they released it before Chicago had recorded 25r624.

What is the meaning of the Chicago song 3/35?

This was written by Robert Lamm, who is a keyboard player and singer for Chicago. It’s about trying to write a song, with the title referring to the time of day: either 3:35 a.m. (25 to 4) or 3:34 a.m. (26 to 4). This quickly became a showcase song for Chicago’s horn section, which featured on many of their hits from the ’60s and ’70s.

Who are the members of Chicago’s horn section?

This quickly became a showcase song for Chicago’s horn section, which featured on many of their hits from the ’60s and ’70s. Three of the founding members that have been with the band since its inception are trumpet player Lee Loughnane, sax player Walter Parazaider, and trombonist James Pankow.