How do you write a good twist villain?

5 Tips for Writing a Good Plot Twist

1. Kill off a seemingly important character.
2. Let your character discover a plot twist organically.
3. Elevate a seemingly minor character.
4. Have your big reveal instigate a twist ending.
5. Make sure your plot twist is earned.

Can a character be their own antagonist?

Sometimes, there is no clear distinction of whether a character is a protagonist or an antagonist. Whether their intentions are unknown, their actions are both positive and negative, or they are their own worst enemy, a primary character can be both a protagonist and an antagonist at the same time.

Is a protagonist always morally correct?

Protagonists aren’t always “good”—many are dishonest or even criminal—but they always have the sympathy and support of the audience. The opposite of the protagonist is the antagonist: a character that opposes or thwarts the main character.

How do you stop the protagonist centered morality?

To avoid this, you show that bad actions are bad, regardless of who does them, and towards whom. The protagonist’s bad actions don’t get “understood” or “excused” just because he’s the protagonist.

How do you write an unexpected plot twist?

10 Simple Tips For Writing Clever Plot Twists

1. Approach your story as a reader.
2. Use subtle misdirection.
3. Use even subtler foreshadowing.
4. Let your characters create the plot twists.
5. Ensure your twist is believable and necessary – and makes sense.
6. Disguise a plot twist… within a plot twist.

What is it called when a character changes in a story?

A dynamic character is one who learns a lesson or changes as a person (either for better or for worse). Most main characters and major characters in stories are dynamic. Dynamic characters are the opposite of static characters; while dynamic characters change throughout a story, static characters stay the same.

What is a foil character?

foil, in literature, a character who is presented as a contrast to a second character so as to point to or show to advantage some aspect of the second character.

What does the word Tritagonist mean?

Definition of tritagonist : the actor taking the part of third importance in a play (as in the ancient Greek theater) — compare deuteragonist, protagonist.

Is protagonist a good guy?

While in many narratives, the protagonist is synonymous with “the good guy,” the word “protagonist” is simply from an Ancient Greek word meaning “one who plays the first part, chief actor.” The definition of protagonist has nothing to do with a character’s internal moral compass: a protagonist can be both a “good” …

What is protagonist bias?

Protagonist bias. This is when people take the side of the protagonist and think everything the protagonist does is right. Take scarlet for example. People hate characters like scarlet because the protagonists hate them. Its just sad that they only see the main characters point of view and not the other side.

How do you write something suddenly?

You write you use “suddenly” for scene changes; that’s fine. If you feel like you’re overusing it, though, your problem may be less the particular phrasing and more the breakneck pace. If you feel you’ve got a lot of scene changes happening “suddenly,” that might give your story an abrupt, disjointed feel.

How do you establish a character’s story?

Establish the character’s story goals and motivations Your character’s current goal is why the story exists — and why it’s worth telling. It’s what your character wants from the book’s plot, and what will propel their inner journey. Without it, the overall narrative arc would fall totally flat.

Does your character want to change?

Your character won’t choose to change because they want to. Make sure your story includes an event that triggers a transformation, something that requires them to change whether they want to or not. Shawn Coyne, editor and author of The Story Grid, talks about how there are causal or coincidental agents of change in an inciting incident.

How do you write a good character description?

Justify the character’s reason for existence by establishing the character’s story goal and motivation Make sure the character has both strengths and flaws Give the character an external and internal conflict Develop the character’s external characteristics to make them distinguishable Make the character stand out with distinctive mannerisms

Do your characters have to change to make your story worth reading?

The thing that makes change in stories so fascinating for people is that, despite loathing change, humans want to believe we’re capable of changing, preferably for the better. So your characters must change in order for the story to be worth reading. But they don’t have to like it.