What key is Maj7 in?

Diatonic (Natural) Maj7 Positions So in the key of G major, for example, Gmaj7 and Cmaj7 would be our 1 and 4 chords respectively.

How do you substitute diminished chords?

The main thing you need to remember when substituting diminished 7th chords for dominant 7ths is this: The root of the diminished chord is the 3rd of the dominant 7th chord. Here are a few examples: The 3rd of A7 is Cs, so you can substitute Csdim7 for A7. The 3rd of G7 is B, so you can use Bdim7 in place of G7.

How do you substitute dominant chords?

Any chord that can be preceded by a secondary dominant can also be preceded by a substitute dominant, which is a dominant chord that is one half step above the root of the destination chord. And this substitute dominant works because it shares some notes with the secondary dominant it is substituting for.

How do you make a maj7 chord?

Major chords consist of the root, 3rd and 5th notes of the major scale (1 3 5). The major 7th chord (Maj7) consists of the root (1), 3rd, 5th and 7th notes of the major scale (1 3 5 7). That means the 7th note of the major scale is added to the major chord.

What chord can you substitute for C?

As you can see Cadd9 is basically a G chord with the two bass notes played a string higher. The chords of C and G frequently appear together, so playing a Cadd9 instead of C whenever G is the adjacent chord works very well.

What is a diminished substitute?

A diminished 7 chord can replace an altered dominant 7 chord (commonly b9 or #9) when the root of the diminished 7 is a half-step above the root of the altered dominant 7. Essentially, if you see a dominant 7 chord resolving to another chord, it can be altered.

What is tonic substitute?

Tonic substitution is the use of chords that sound similar to the tonic chord (or I chord) in place of the tonic. In major keys, the chords iii and vi are often substituted for the I chord, to add interest.