How is intertextuality postmodern?

Firstly, postmodernist intertextuality is political and conscious. It describes deliberate reference to other texts in order to undermine the discourses and metanarratives that legitimate dominant power structures. It thus differs from Julia Kristeva’s notion of intertextuality as a general attribute of all texts.

Which is an example of postmodern culture?

TWO EXAMPLES OF POSTMODERN POPULAR CULTURE A discussion of postmodernism and popular culture might highlight any number of different cultural forms and cultural practices: television, music video, film, pop music, advertising. I will consider here two prime examples: pop music and television.

What is postmodernism worldview?

Postmodernism, born under western secular conditions, has the following characteristics: it emphasizes pluralism and relativism and rejects any certain belief and absolute value; it conflicts with essentialism, and considers human identity to be a social construct; it rejects the idea that values are based on …

What is intertextuality in postmodernism?

Postmodern texts suggest that the relationship between text and text is vital in adding a particular layer of depth and meaning. This essay will argue that intertextuality is a device which is used to provide added significance and connotations to a text.

What are some examples of intertextuality in fiction and film?

Discuss the use of intertextuality in postmodern fiction and/or film. Two examples of intertextuality in fiction and film are The Hours (dir. Stephen Daldry, 2002) and Jeanette Winterson’s Oranges Are Not the Only Fruit (1985).

What is the origin of intertextuality?

A central idea of contemporary literary and cultural theory, intertextuality has its origins in 20th-century linguistics, particularly in the work of Swiss linguist Ferdinand de Saussure (1857-1913). The term itself was coined by the Bulgarian-French philosopher and psychoanalyst Julia Kristeva in the 1960s.

How can the intertextuality of the hours be analysed?

The intertextuality in The Hours can thus be analysed when examining the syntactic structure within both texts and looking at Claes’ theories on addition and repetition of events. Similarly, the syntactic structure of Oranges Are Not the Only Fruit is comparable to that of the Bible.