How do you set up parallel compression?

How to use parallel compression

1. Start by creating an aux return channel in your DAW’s mixer.
2. Add the compressor plugin you want to use as an insert on the aux return track.
3. Create a pre-fader send on your source track to route to the compressor on the aux.
4. Select the send from your source as the input of the aux track.

What is parallel processing in FL Studio?

Parallel processing is a mixing technique where you duplicate audio signal, add processing (such as compression) to the other signal and leave the other signal non-processed (dry), mix them together and send them to the master out.

What should I use parallel compression on?

A very common use for parallel compression is on drums. If you are trying to tame drums in a mix and insert compression on every channel, you’ll likely destroy all the dynamics and end up making them sound very tiny once all the other instruments are played over top of them.

Is parallel compression better?

The human ear is sensitive to loud sounds being suddenly reduced in volume, but less so to soft sounds being increased in volume—parallel compression takes advantage of this difference. The digital compressor pathway takes a little more time to process the sound—on the order of 0.3 to 3 milliseconds longer.

Should you EQ parallel compression?

EQ Your Compression Often when using parallel compression you may only want to bring out certain frequencies. You can then notch out offensive frequencies or boost those that enhance the sound. Keep in mind that placing an EQ before the compressor will affect how if reacts to the sound coming into it.

Do you EQ parallel compression?

Not EQing your compressed signal To get additional control over your processed signal, there’s nothing stopping you from EQing parallel compression returns. Cutting or boosting with EQ after the compressor allows you to sculpt the signal further to better fit the mix.

Do you need parallel compression on vocals?

Using parallel compression can be an effective way to give your vocals a professional edge but it’s a difficult technique to master. Use gates, EQ and de essers to remove content you don’t want to be harshly compressed. When one compressor isn’t doing the trick, try parallel compressing with multiple tools channels.