What type of microphone is typically used for high hat cymbals and cymbal overheads in the recording studio?

For this purpose, dynamic microphones are favorites for miking kick and snare drums and toms. Engineers usually choose condensers to record hi-hats, cymbals or for “overheads”—literally microphones positioned over the entire drum or percussion set.

What mic does toms use?

Ten of the Best Microphones to record Tom-Tom Drums by The Press Desk

• AKG C414 EB.
• AKG D 19.
• Audio-Technica ATM25.
• Audio-Technica AT4033/CL.
• Beyerdynamic M201TG.
• CAD Audio M179.
• Neumann U 67.
• Sennheiser MD 421-II.

What microphone do you use for cymbals?

The best way to mic a ride cymbal is to use a condenser microphone and locate it in the middle of the edge and the bell of the ride. This special condenser microphone, which is unique for rides, will allow its sound to cut through and separate itself from any mix.

Do you need to mic the toms?

A big, fat, organic, roomy drum sound can be achieved with as little as three microphones – if the room itself sounds good. Just because you’ve recorded the sound from a mike, there’s no law that says you’re required to use it. If you can get the sound you want without it, don’t use it!

How high should overhead mics be?

To even the arrival times you can place the two overhead mics at two different heights, as few as 2–3 inches or up to 8–10 inches if necessary.

Are SM57 good for Toms?

Shure SM57 Not a bad choice if you need your toms to cut and “bark.” If the drum you are miking lacks sustain, you may want to try a different mic that emphasizes sustain a little more.

How far should overheads be from cymbals?

usually with the cymbals no closer than 2 feet (for the closest ones). Mono overhead I used very close (still with 2-2.5 from the nearest cymbals) or somewhat distant to the kit (like 6-7 feet back), but the only real difference between these two positions is how much kick I get in the mic.

Are SM57 good for toms?

How far should overhead mics be from cymbals?

The techniques: Place the mic over the side of the cymbal, about an inch or two above, while making sure that it is away from other drum pieces.

What MIC do you use to mic cymbals?

Miking cymbals is similar in most ways to drum miking. Obviously the quality of your cymbals will reflect the quality of the recordings. A good condenser mic will do well as an overhead mic to pick up all the cymbals. Common overhead mics are the Shure SM 94’s.

Do I need a tom mic for my drums?

For jazz it is common not to use toms at all and only get the drum sound balance with accurately placed overhead mics and maybe a bass drum and snare drum mic, whereas as pop and rock drum sound requires a closer miking technique to achieve very isolated tom signals to process individually.

What makes a good microphone for drumming?

It’s obvious that the microphones must be able to handle these levels without clipping. You can place a DPA mic within one centimeter of the drum head and experience no mic overload. The 4099D Instrument Microphone allows for high quality audio capture of toms.

How do you use a DPA mic for drumming?

You can place a DPA mic within one centimeter of the drum head and experience no mic overload. The 4099D Instrument Microphone allows for high quality audio capture of toms. The low profile and unobtrusive design provides visual elegance along with uncompromised sound quality and accurate dynamics.