When using a boom to record how do you position the boom so you record a good sound?

Holding and positioning There’s no one correct way to hold a boom pole. But the standard position is with the boompole completely over your head, with the mike at an angle. Aim the mike at around the actor’s nose. Sound recordist Barnaby Hall using a boom pole during the filming of Silent Eye.

What is the best type of microphone to pick up dialogue on a film set from a distance?

1. Omnidirectional. Omnidirectional mics are the easiest to understand. Simply put, omnidirectional mics record audio from every direction.

What’s the purpose of a boom microphone?

A boom microphone is a directional microphone mounted or attached to a pole or arm. Primarily used in film and television, this type of microphone frees the hands of actors or reporters while allowing them to enjoy the amplified audio of a traditional microphone.

What are the optimal settings for audio recording?

Good practice is to record audio at 44.1 kHz/16 bit in uncompressed wave format. High quality MP3 (192 kbps or higher) is acceptable if needed due to limitations of the recorder or for storage space. Best practice is to record audio at 44.1 kHz/24 bit or 96 kHz/24 bit in uncompressed wave format.

Are boom mics directional?

A boom mic has a highly directional polar pattern and is positioned at the end of a boom pole. These mics are staples in film and video. They are highly directional (pick up sound where they point to and reject off-axis sounds).

How far away should a boom mic be?

The most expensive shotgun mics, Audio-Technica said, can capture audio from a distance of six to ten feet, while more affordable mics sound their best at a distance of three to four feet away. The best sound will come from positioning the shotgun mic a few feet above the subject.

What are the advantages and disadvantages of recording sound on location?

On-Site Recording